Sunday, September 20, 2009

Elyse's entry for Monday, Sept. 21, 2009

"Shooting Dad"

I really liked the tone of this essay. It flowed evenly. with a lot of humor. The title was especially brilliant tying in her father's hobby and the ending nicely. The use of language drew a clear picture of the life of her family. Her mother says "you might ought to check", and Sarah says, about her first gun experience that her father felt it was "high time". It seems as if this most likely not the way Sarah spoke growing up but it was a clever way to express her own feelings about her family. I can definitely relate to Sarah's journey into adulthood and wanting to come to terms her family and bridge the gaps of their differing ideologies, especially concerning her father. I cringed at the description of the cannon as I have a phobia surrounding such things. As the essay evolved so did the portrayal of her father. Her child-like mind saw him as a somewhat one-dimensional gun-toting Republican. As Sarah matured so did her vision of him, seeing him more as a history buff who felt a great deal of pride in his home-made cannon and various firearms. I have had similar experiences of finding great depth in my parents' perceived idiosynchrocies. Over all, her style of writing is one which speaks to me: lots of humor and poignancy with a light tone.


"The way to Rainy Mountain"

This essay was a great deal more serious in tone than the previous one. Momaday's use of description is nothing short of breathtaking, painting a picture to the reader of Rainy Mountain with phrases of beauty. "Steaming foliage seems almost to writhe in fire." Tall grass is described as "popping up like corn to sting the flesh." Whereas Sarah Vowell had a somewhat tumultuous relationship with her dad, Momaday seems to convey nothing but admiration for his grandmother. He remembers her as often praying, in fact this is the last memory he has of her. He says "she made long, rambling out of suffering and hope, having seen many things." His beautiful portrayal of her always seems to directly related to her as if, in his mind, she was simply an extension of her surroundings. In describing her house, he speaks of the "white moon, nearly full" and the "long row of trees by the creek." I, myself did and still do not have the best relationship with my family and so sometimes assume that most have this same experience. It is refreshing to know that this is not always the case.



My blog on Marissa's blog

Sunday, September 20, 2009

HW for 9-19-09

On Sarah Vowell's Shooting Dad-
I suspect that on some level most people feel that they do not quite "fit in" with the rest of their family. I went to high school with two cousins who are my age (one is six months older than I am, the other one is a year-and-a-half younger). They were both popular; they were both active in sports (the kind of sports that high schools care about; one of them did football and the other one did basketball and tennis), they had a lot of friends and they went to parties every weekend. I was quiet and easy to overlook; I ran cross country, I spoke to very few people, and I spent my weekends babysitting and doing homework. My cousins went to clubs and drank Red Bull. I went to the Pearl District and drank organic juice. They made fun of me for being vegan, for choosing to walk everywhere, and for being overly-introverted. I shook my head at them for spending too much money, for getting got consuming drugs and alcohol in their mom's house, and for having questionable taste in film. We went to the same school, but we lived in different worlds.
A few years have passed since high school and we're all a bit older now. I only see my cousins when I go back home to visit my family during the summers. One of them dabbles in drugs, the other dabbles in God, and I'm into film. However, there is a common ground that underlines us all; we grew up together and therefore we have a history together.
In one of them I can see the quiet sensitivity that I feel. I think that we both have traits that no one else really notices because we're already expected to act one way. In the other one I can see the desire to succeed. I want to tell her that she's going to do well and everything will be all right, because sometimes that's all that I want someone to say to me.
So I can't help but think about Vowell's realization that she and her dad have much more in common than she once thought possible (in fact she writes that she and her dad are the same person). My cousins and I are definitely not the same people (we have different interests, different concerns, and different ambitions), but I'm beginning to realize that we do have few things in common. And that's a start.


I know I have blogged Marissa's blog previously but since no one seemed to have theirs completed when I was doing my homework, I was forced to blog her again. It actually worked out well considering Marissa's writing style is quite similar to Vowell's. I was actually thinking of Marissa's writing as I was reading "Shooting Dad". I liked Marissa's descriptions of her cousins, especially their "questionable taste in film". Ha! Vowell's essay brought up the idea of realizing your differences with your family can sometimes be smoothed over by the realization of shared history. The love Marissa feels for her cousins shines in her protective words of encoragement to her success-driven family member. I am choosing my own mother to write about next essay. I have many issues with her that go deep but as I mentally write about her to prepare, I am starting to find the beauty and magic in my mother which facilitates my own healing process.

Sunday, September 13, 2009

Elyse's Entry-for 9-14-09-Mon.

Charles Lamb -"A Chapter on Ears"

Call it the therapist in me, but I got more out of the Lamb bio than the actual essay, although I did like that too. I am always interested in people's life stories and experiences. A person's life is shaped by his or her circumstances for sure, but also their individual personalities they bring in from other lives at least that is what I believe. It was heartwrenching to read of Lamb's ordeal with his sister but it is his spirit of forgiveness surrounding this tragedy that is truly inspiring. Not only did Lamb have compassion for Mary's state of mind at the time, but he went on to collaborate with her artistically when he simply could have turned his back on her. His giving spirit comes across in his writing too. In "A Chapter on Ears", he lays in his own ignorance out for all to see. Maybe because of his own experience with the worst one could imagine, he is able to shed all pretenses and appear naked before us with his words. For the most part , I found a gentleness in Lamb, light humor, considering the darkness that his tragedy must have imprinted on his soul. He speaks throughout the essay of "the scene turning", quoting Burton , particularly in music , when the musician has "not content to have laid a soul prostate, goes on, in his power, to inflict more bliss than lies in her capacity to receive." It seems to me that only someone who has been to hell and back could write with such honesty and disregard for the accepted ideals of the day.


G.K. Chesterson-"A Piece of Chalk"

What I enjoyed most about reading Chesterson was his use of descriptive language. In describing the contrast of vibrant colors against brown paper vs. white, the "points of fire", "sparks of gold, and blood red", "like the first fierce stars that sprang out of divine darkness." Beautiful! I laughed out loud when he spoke of wanting to write of the contents of his pocket but it would be too long with the epic being out of style. I liked what he was saying about Nature being inescapable to us. Many griped that the ancient poets did not interest themselves with Nature, preferring to write about great men. Chesterson counters that these poets, "preferred writing about great men to writing about great hills; but they sat on the great hills to write it." After having my own experience of being immersed in Nature and feeling like everything I was searching for was right in my own backyard, I loved the idea if Chesterson lamenting of his lost white crayon, only to find Nature had boxes of white crayons in surplus. Again his language to illustrate this point was, to me so rich in description. "Imagine a man in the Sahara regretting that he had no sand for his hourglass." In the end, Chesterson has the a-ha moment of realizing that he has been "sitting on an immense warehouse of white chalk." It his mental journey that that led him to this discovery that makes for great writing.

Friday, September 11, 2009

Elyse's revised Nature essay

Elyse Hamilton-Soares
Personal Essay
September 11, 2009


Woods of Wisdom

BY ELYSE HAMILTON-SOARES
All my life I have felt like a square peg in a round hole, out of step with the world. Often feeling disillusioned and frustrated, I sought the comfort of others to heal my woes. Friends and family often fell short of my expectations and I was left feeling even more confused and hopeless. Therapists and healers offered some relief but mostly only in the safe haven of their office. This pain of my perceived separation from those around me has caused me much suffering and, because of my acute sensitivity, great disconnect from loved ones as well. I have carried with me, as most do I believe, a longing for community and unconditional love. As these desires have become so ingrained in me, I oftentimes carry them with me but do not feel the burden of them until they are lifted from me. As I entered Jefferson County Park that Tuesday afternoon, I had no expectations of what lay ahead. With the leaves crackling beneath my Tevas, I was about to discover the true knowledge and unconditional support I had been searching for.
I entered the woods around 10:30 A.M. alongside two of my classmates, Jenny and Theresa. Being somewhat of an amateur hiker, I was at first reluctant to part company with them, for fear of becoming lost. So we walked together, partaking in conversation about children and other various topics. As we began to become wrapped in the still beauty of the woods, we slowly separated, each of us choosing our own agendas and paths to take. Jenny snapping pictures with her film camera, which my point and shoot digital paled in comparison to. Theresa opting to rest her bones on a wrought iron bench covered with moss. I continued on along the trail, glancing every so often behind me to make sure they were still within sight. A bundle of small red berries caught my attention and taking out my camera, I snapped its picture. I was struck by the contrast of the vibrant crimson fruit against the green foliage surrounding it. Jenny, noticing the same berries, opened her journal and began to sketch. Having only a pencil to work with, she could only catch the essence of the berries but it seemed to be enough. Further along I noticed some delicate white flowers and stopped to photograph them as well. At first glance, the flowers appeared to be uniform in size and shape but upon further reflection I noticed the true significance of this scene. Behind the fully maturated flora in the foreground, lay the sleeping, closed adolescent buds, completely oblivious to the fact that its neighbors received most of the attention.
Somewhere within that first hour, I discovered I was alone. The fear I had when I began my journey had all but disappeared. I took a deep breath and as I fine tuned my senses to the forest encircling me, I began to discover activity in the silence. I beheld whole universes within the stillness. One leaf playfully danced above my head, suspended in midair by a transparent web. Squirrels scurried along the protective arms of the trees, no deadlines to meet, no worries of schedules to fill. I heard a choir of what sounded like dozens of chirping birds far above me. When my eyes searched the for them among the branches, they were nowhere to be found. Maybe these birds symbolized God in some way, making their presence known while maintaining their anonimity. Although all these events were occurring simultaneously, at no point did I feel overwhelmed. I effortlessly was able to process it all at a rate my brain and heart could sustain.
As I marveled at the majestic trees towering above me, with the sun's golden rays piercing through their leaves like strobelights, I was reminded of my childhood day trips in the car with my family. As we would barrel along the highway, the passing trees were dancers, swaying this way and that, elegantly bowing to me as I dreamily gazed out my window at them. My family thought I was mindlessly daydreaming as I imagined choreographed dances with the trees as my lead participants.
The sights and sounds continued to fill me with wonder as the words of Wendell Berry rang in my head. "Our senses, after all, were developed to function at foot speeds." The hustle and bustle of everyday life often puts our senses on overload. We miss what is right under our noses. In the stillness of this dynamic landscape, I could discern the eternal wisdom of our Creator. Her words comforted me and sustained me along my journey through her corridors. Here was living proof of the Vedic principle, "There is harmony in diversity." Many profess to feel this adage. Nature exudes it. The red fruit does not shun the leaves that surround it. The fallen, lightning struck tree lays proudly next to its tall, unscathed neighbor. The ivory flower, to my eye, was not in competition with the wilting, somewhat colorless weed by its side. Nature lives in complete accordance with itself. Its borders always remain open to outside sources and although Nature has been burned many times over, literally and figuratively, open it remains. Here I was loved. Here I was supported. I was not merely a visitor that Nature accepted as its own. I was an integral element contained within its structure. I did not take this lightly. I opened myself to the timelessness of God's Country and allowed the deep knowledge to wash over me.
When I next joined my friends, it was nearly lunchtime. As we headed back to the picnic area, a lovely white deer pranced across the trail into the woods to our right. Astonishingly, it stopped in its tracks just a few feet in, as curious about us as we were of it. We all tediously grabbed our cameras to capture its image, expecting it to flee in panic at any moment. My first name is Faun and, having gone by this name for most of my life, I connected with the cautious yet gentle spirit of the deer. She preened herself meticulously all the while never losing sight of our admirable glances. She lingered just long enough for us to admire its beauty before taking off top speed to some unknown destination.
After rejoining our group and sitting down for lunch, I took a deep breath reflecting on the day's events. As my classmates and I engaged in trivial topics ranging from hostile Fairfield train conductors to new films we liked or disliked, I noticed a renewal of spirit within myself. The usual alienation that I would feel at most social gatherings was not present. In its place was an overwhelming feeling of connectedness. In attempting to fit into this world, I and undoubtedly those around me, have forgotten that our individual differences are what make us unique. Without them, we are all uniform, statuesque trees and patches of red berries. Our individuality is the backbone of artistic expression, whether it be a visual masterpiece or a haunting poem. As a child, there was no separation between Nature and I. It was only the proposed laws of teachers and parents that created this disconnect. By the time adolescence had descended upon me, I had forgotten that being a square peg in a round hole was not something to disdain within myself but rather something to hold in high regard. The wisdom of the woods had reminded me that we are all glorious in the eyes of the Universe. Leonard Cohen said it best when he wrote, "There are cracks in everything, that's how the light gets in." My self-perceived imperfections had today allowed me to channel the Infinite knowledge of Nature which I have had within me all along. I only needed to change speeds to access it. I wish I could say that I would hold onto this knowledge every moment of my life for evermore. I can only live the best I can, making the time to take more strolls in the woods and remembering above all else that I am loved and supported wherever I roam.

Elyse's nature essay critiques-9-11-09-Fri.

Friday, September 11, 2009

Nature, Up-close and Personal

Outside of my window there are a few sickly trees that appear to be growing straight out of the concrete. The tops of their leafs have been painted white, the careless result of men who had been spraying the rooftop earlier this week. From these transformed trees comes a little chipmunk that I notice nearly everyday. He (or she) darts out of the unhealthy shrubbery and races along the broken pavement. I've seen him scurry down the side of the brick building, his body completely vertical. He seems to retain all the qualities of a wild animal, he's exceptionally quick and agile, and yet at times he looks almost confused and unsure about his surroundings. He balances himself on a rusted railing, teetering between the natural world and the modern one.

Between the ages of eight and twelve, my life's ambition was to get lost in the wilderness and survive on my own cunning skill. In elementary school I read books like My Side of the Mountain, Where the Red Fern Grows, and Scrub Dog of Alaska, books about kids who left home and went on adventures. I wanted a plane to crash over Mt. Hood, leaving me miraculously as its soul survivor. I wanted to get lost in the woods. I wanted to be completely detached from society and from the modern world. I wanted to experience freedom.

When I was a kid my dad used to take me camping during the summers. We would travel far enough up the mountain so that we were completely isolated from any roads or trails-- from any sign of humanity. Even as a kid I could tell that the air was fresher up there. I found trees to climb on and rivers to swim in. In the forests, the grounds were blanketed with copper-colored pine needles. The rivers and streams that trickled down from the mountaintop were cold and crisp-- the result of freshly-melted snow.

On this mountain is where I had my first transcendental experience. I was ten years old and I was standing at the top of a slope. The earth fell into a valley where deep-green pines touched blue sky. The warmth of the sunlight kissed the back of my neck. Hailing from the suburbs, I had never seen the sky so expansive, so majestic. It enveloped the wilderness and myself, making me just another element of nature. All that I could see in any direction were signs of purity, indications of the magic of experiencing nature. If all of this was a part of the world that I lived in, then I knew that life could be beautiful.

When I was fourteen my plans changed. I decided that I didn't want to live in the U.S., so instead of running away to Mt. Hood I was going to escape to some little remote island around Central or South America. My objectives were the same though: I would build my own house- this time a mega-deluxe tree house that would rival that of the Swiss Family Robinson- and I would utilize the natural resources in a way that was simple and sustainable. I imagined it would have been sort of like The Mosquito Coast, minus the Harrison Ford craziness.

Last spring I went stargazing at the reservoir with four friends. Atish wanted to be able to lie on his back, look up, and see only the stars in the sky. We soon discovered that this was nearly an impossible wish to grant. The land was so flat that the lights from nearby houses and streets flooded the hillside and prevented us from being able to clearly see the stars. We went onto the trail so that the surrounding trees might block out the artificial lights coming from the town. This almost worked too, except that the tops of the trees only a allowed a small, starless portion of sky to come through.

The five of us were lying on the trial, gazing up at a patch of darkness. The lights were gone, but signs of the unnatural world remained. We listened to the clock the toll and the cars drive by on a road that was less than 400 meters away from our heads.

There's this scene in Trainspotting where Ewan McGregor and his friends go out to the Scottish countryside to seek fresh air and relaxation. They hope to escape their modern-age problems by reconnecting with nature, but they don't know how. They're all so preoccupied with their own troubled lives that the beauty of the country is overlooked and the oppritunity to find comfort and peace is missed.

This is what the whole stargazing experience was like. The lights, the clock, and the cars all seemed to remind us that our nature was a fake. We had ventured out to the reservoir because we wanted to clear our minds; instead we ended up discussing classwork, relationships, and our uncertainties about life afer college. Our social obligations had not left us. We wanted so badly to feel that we were a part of nature, because when we were kids we had all felt that we had a spiritual connectedness with natural world. We wanted to get back to where we once had been; the problem is that now we didn't know the way.

I feel like I've lost something. The connection, the outlook that I once had as a child has evaporated. I still retain my sense of adventure and I still desire to live in a way that is in accord with nature, it's just that right now reality trumphs a lot of my youthful ambitions (How can I own and operate my own movie theater if I live in a treehouse on some remote island?). I'll try to remember that Maharishi said that "Individual evolution is a set of actions, aligned with natural law, that leads to liberation and fulfillment." Alignment with nature is essential and can't be shrugged off.

Perhaps I just have to keep reminding myself of how breathtakingly incredible the natural world can be, like how on one early evening I saw the moon and the sun in the sky at the same time, one rising and the other setting. There must be a happy medium between nature and modernity. I just have to balance and endure it like the little chipmunk.


Elyse's post on Marisa's essay:

Marisa utilizes much humor in her essay, which, although I don't know her too well, seems to be indicative of her personality. I am finding more and more as I read the works of others that their personality really comes across in the writing. The thread of the chipmunk all the way through was quite nice. The descriptions were great. I could completely see the chipmunk scurrying along the side of the building. The way she described her experience of childhood connection with nature and struggling to recapture it reminded me of almost every Christmas for me after the age of 12. Yet still we keep trying. Marisa has a style of writing similar to David Sedaris. I could totally see her writing for NPR or the like one day. I liked when she proclaimed "Nature is a fake." A few of the Nature essays from this class seemed to work from this premise. Actually, not that Nature itself is a fake but rather the way our society puts it on display.



Jenny's Nature essay:

Friday, 11 September 2009

A Walk in The Park

None of the four of us in my little car knew how far the field trip was going to be outside of town to Jefferson County Park. We followed our professor's car as he sped along the wooded neighborhoods on the outskirts Fairfield. "Where is he going?" I said, trying to get my old car to keep up with his nearly new one. I was getting a little nervous because the day before I had quickly volunteered to drive a car-load of students before remembering that my little '86 Lebaron convertible may not be roadworthy for a long trip after a summer full of car troubles. I decided to keep my mouth shut about the car and lucky for the Lebaron, the park was only a few miles outside of town. We pulled up and got ready to write and take photos. We discussed plans for lunch and then proceeded towards the park trails to begin our field trip. Most of us went our separate ways, but I found myself feeling the hope of sticking with a few of the other students on the trip. Most days, I would want to venture off on my own to ponder life and have some quiet time amongst the trees. But that day, I felt a need for some companionship along the trail. Thankfully for me, my friends Elyse and Theresa felt the same.

We started off along the wide trail and almost immediately found something that caught our eye- a grouping of rounded, bright red berries, nestled softly near the ground on the edge of the path. Their color was a brilliant, warm red. The artist in me kicked in and I decided to take out my journal to sketch their shape and how they gracefully dangled over long grass but so wishing that I could capture their color on the page. Just a few steps down the trail was a small scatter of brilliant white flowers. As I sketched, I noticed that inside of each large blossom were the blossoms of hundreds of tiny flowers that made up the whole. Their color was as white and bright as fresh snow. I started to think about the distinct shapes and brilliant color of the red berries mixed with the white of the flowers and how they would look together on a porcelain tea cup or small vase. I had recently become almost obsessed with creating art based around the beauty of nature and this was a perfect opportunity to capture an idea. My friends took photos, but
I came to the conclusion that I would have to keep the colors stored in my mind for later artistic reference, after realizing that I had loaded a new role of black and white film into my Pentax the week before.

We pushed on. Theresa was captivated with the mysteries of the fallen trees that seemed to hang frozen over the forest floor. Elyse went further on ahead, as I watch a dried, brown leaf spin and dance in the breeze after becoming captured in the sticky hold of a spider's web. Later down the trail, Theresa and I once again met up with Elyse, who had decided to stop and come back when finding a fork in the trail ahead. Elyse and I stood amongst the trees, chatting quietly while taking in the beauty of the morning. Light shone through the trees on Theresa as she found a bench to rest on at the trail's fork. As I continued to sketch a large, furry vine that had meandered it's way around a young oak, Elyse and I spoke about her children and about motherhood. As I stood their, I imagined and hoped that someday it would be me speaking of my children with her. Theresa was still rested on the bench. I looked up from my sketch book and conversation and noticed that Theresa had her eyes closed, smiling ever so slightly in deep meditation. And although I myself did not feel the need to meditate at that moment, I was happy that she was. After sketching out a whole page and having a lively conversation with Elyse, Theresa suddenly stood up from the bench. We joined up together again as a group, the three of us and decided to take the sunny, grassy fork in the trail. Suddenly, out of nowhere, Theresa let out a short gasp. There was a large doe who, by the look on her face, had not sensed our presence and was just as surprised to see us as we were to see her. She quickly crossed over the trail in front of us and stopped several feet into the woods. She put her back to us and began to shake her tail, clean herself and flirt with us, turning her head from one side and then the other, as if to say, "well, are you going to take my picture?". The show lasted for nearly 3 or 4 minutes before the doe slowly made her way back into the woods, looking back at us a few times to make sure that we hadn't in fact laid out any edibles that might have interested her. I felt strongly that Theresa in her meditation, had somehow attracted the doe and brought her close to us. This was maybe another opportunity for Elyse, Theresa and me to see the power of the collective consciousness at work and how much we are truly all a part of nature. The three of us continued down the grassy path, speaking about our encounter with the doe, about family, motherhood and the beauty of the plant and animal life that surrounded us. I thought to myself how blessed I was to come upon this sweet place, somewhere I could now go for solitude, artistic inspiration and reflection and even within biking distance from Fairfield. After coming home, I thought about my day and knew that at sometime I would return to Jefferson County Park and maybe this time make sure I'd loaded color film into my old Pentax.

That evening, I took a nice, hot bath after feeling as though I was coming down with a cold. I went to bed early. And that night I had a vivid dream. In the dream, many people surrounded me, needing my help. I stood, with my back up against a large tree. My hair and head suddenly became part of the tree and I was able to gain knowledge from the tree and it's roots to help the people around me. After waking, I realized that my consciousness too, had connected with woods and that they were welcoming me to return and meditate their, which I will do before winter moves in.



Elyse's blog on Jenny's essay:


I really enjoyed this essay for a few reasons. First, knowing Jenny as I do, I really felt her energy and personality come across on the page. Jenny is a very meticulous, orderly woman and her essay followed a linear path which is so like her. If the essayist can reveal themselves in this way, then they have truly done their job as a writer. I also enjoyed her essay because it was a different spin on what I wrote in mine. Traveling together, at least some of the way, we saw the same berries and white flowers and deer but had differing experiences. This is what makes life so interesting. Who we are as individuals literally creates our circumstances and experiences. I am sure if you asked my brother to retell his childhood experience, he would tell a completely different story than I would. In fact, I know this to be true. Jenny saw a deer, who after seeing us through the trees, stopped for a while and "slowly made her way back into the woods." Seeing this same deer, I swear it took off at a much a brisker speed, being startled by something we were not aware of.

Elyse's Nature essay-9-11-09

Woods of Wisdom

All my life I have felt like a square peg in a round hole, out of step with the world. Often feeling disillusioned and frustrated, I sought the comfort of others to heal my woes. Friends and family often fell short of my expectations and I was left feeling even more confused and hopeless. Therapists and healers offered some relief but mostly only in the safe haven of their office. This pain of my perceived separation from those around me has caused me much suffering and, because of my acute sensitivity, great disconnect from loved ones as well. I have carried with me, as most do I believe, a longing for community and unconditional love. As these desires have become so ingrained in me, I oftentimes carry them with me but do not feel the burden of them until they are lifted from me. As I entered Jefferson County Park that Tuesday afternoon, I had no expectations of what lay ahead. With the leaves crackling beneath my Tevas, I was about to discover the true knowledge and unconditional support I had been searching for.
I entered the woods around 10:30 A.M. alongside two of my classmates, Jenny and Theresa. Being somewhat of an amateur hiker, I was at first reluctant to part company with them, for fear of becoming lost. So I made my way along the trail, glancing every so often behind me to make sure they were still within sight. A bundle of small red berries caught my attention and taking out my camera, I snapped its picture. I was struck by the contrast of the vibrant crimson fruit against the green foliage surrounding it. I scribbled my observation in my journal and continued on. Further along I noticed some delicate white flowers and stopped to photograph them as well. Through my lens I noticed the true significance of this shot. Behind the fully maturated flora in the foreground, lay the sleeping, closed adolescent buds, completely oblivious to the fact that its neighbors received most of the attention from the camera lens. Somewhere within that first hour, I discovered I was alone. The fear I had when I began my journey had all but disappeared. As I fine tuned my senses, I found activity in the silence. I saw whole universes within the stillness. One leaf playfully danced above my head, suspended in midair by a transparent web. Squirrels scurried along the protective arms of the trees, no deadlines to meet, no worries of schedules to fill. I heard a choir of what sounded like dozens of chirping birds far above me. When my eyes searched the for them among the branches, they were nowhere to be found. As I marveled at the majestic trees towering above me, I was reminded of my childhood day trips in the car with my family. As we would barrel along the highway, the passing trees were dancers, swaying this way and that, elegantly bowing to me as I dreamily gazed out my window at them.
The sights and sounds continued to fill me with wonder as the words of Wendell Berry rang in my head. "Our senses, after all, were developed to function at foot speeds." The hustle and bustle of everyday life often puts our senses on overload. We miss what is right under our noses. In the stillness of this dynamic landscape, I was literally hearing the eternal wisdom of our Creator. Her words comforted me and sustained me along my journey through her corridors. Here was living proof of the Vedic principle, "There is harmony in diversity." Many profess to feel this adage. Nature exudes it. The red fruit does not shun the leaves that surround it. The fallen, lightning struck tree lays proudly next to its tall, unscathed neighbor. The ivory flower, to my eye, was not in competition with the wilting, somewhat colorless weed by its side. Nature lives in complete accordance with itself. Its borders always remain open to outside sources and although Nature has been burned many times over, literally and figuratively, open it remains. Here I was loved. Here I was supported. I was not merely a visitor that Nature accepted as its own. I was an integral element contained within its structure. I did not take this lightly. I opened myself to the timelessness of God's Country and allowed the deep knowledge to wash over me. When I next joined my friends, it was nearly lunchtime. As we headed back to the picnic area, a lovely white deer pranced across the trail into the woods to our right. Astonishingly, it stopped in its tracks just a few feet in, as curious about us as we were of it. We all tediously grabbed our cameras to capture its image, expecting it to flee in panic at any moment. My first name is Faun and, having gone by this name for most of my life, I connected with the cautious yet gentle spirit of the deer. It lingered just long enough for us to admire its beauty before taking off top speed to some unknown destination.
After rejoining our group and sitting down for lunch, I took a deep breath reflecting on the day's events. As my classmates and I engaged in trivial topics ranging from hostile Fairfield train conductors to new films we liked or disliked, I noticed a renewal of spirit within myself. The usual alienation that I would feel at most social gatherings was simply not present. In its place was an overwhelming feeling of connectedness. In attempting to fit into this world, I and undoubtedly those around me, have forgotten that our individual differences are what make us unique. Without them, we are all perfect, statuesque trees and patches of red berries. Our individuality is the backbone of artistic expression, whether it be a visual masterpiece or a haunting poem. The wisdom of the woods had reminded me that we are all acceptable in the eyes of the Universe. I wish I could say that I would hold onto this knowledge every moment of my life for evermore. I can only live the best I can, making the time to take more strolls in the woods and remembering above all else that I am loved and supported wherever I roam.

Monday, September 7, 2009

Elyse's Entry-9-07-09

Henry David Thoreau-"Walking"

I really liked the line in the introduction to this piece, " An essay is akin to taking a mental stroll." That is what it is all about really, rehashing an event in our mind and then putting it down on paper. I am ashamed to admit it, but I am not that well read. Taking this class has made it clear to me that the essay is the genre that most captures my attention. Choosing which two to write about was not as difficult as I had expected. "Walking" was the first one I read and runs neck and neck with Barry's essay as my favorite of the three. This essay, to me, spoke more of the domestication of man as a whole than the pleasures of walking, although it of course, spoke of that too. The undomesticated man, untamed by the rules of society, is, in Thoreau's eyes, something of a marvel. He observes that "the callous palms of the laborer are conversant with finer tissues of self-respect and heroism, whose touch thrills the the heart, than the languid fingers of idleness." Where Barry's tone seemed a bit melancholy, Thoreau 's conveyed quite a bit more cynicism. Perhaps for some, the life in society is safer than the unknown wilderness of Thoreau's wanderings. He muses that "we find it difficult to choose our direction because it does yet exist directly in our idea." Yet he does believe that "there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright." He, of course, chooses the path unknown and lives to tell about it. Thoreau returns again and again to this theme of the wildest parts of Nature being the most alive. Just as we cultivate our gardens in our yards, so we trim down our own wild nature by submitting to society's rules. Thoreau, through his exploration and observations on his excursions into Nature, bares his own wild soul through his writings. I love when he proclaimed that "a truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild flower discovered on the prairies of the West or in the jungles of the East." I could not agree more.



Wendell Barry-"An Entrance to the Woods"

I found Barry's essay to contain many of the same themes as Thoreau's but with touch a sadness thrown in, reflecting perhaps the author's own melancholy nature. He spoke of feeling haunted quite a bit, which I began to suspect was more about his own predisposition to sadness than the actual darkness of the night sky. Of course he feels what many of us have felt in Nature; the presence of those who have tread before us. I saw a great deal of myself in Barry, like in his reaction to the modern modes of transportation going against the inherent speed of our of true nature. "Our senses" , he observes, "after all, were developed to function at foot speeds." I can completely relate to feeling as if the world is moving way too fast for me most of the time. Entering into Barry's wilderness is, in his words, "a kind of death", stripping us of all we think we are in society. I got the sense reading this that the woods offered solace to Barry, a refuge of sorts. Where Thoreau sought out Nature as a daily routine away from the trappings of society, Barry seemed to need it to exorcise his own demons, to refresh his soul. When he states "I see little hope that I will ever live a day as an optimist, still I am not desperate", revealed a sensitive soul deeply touched by the beauty around him and deeply saddened by the rapid growth of technology in the modern world. A glimmer of hope can be seen in the final line of the essay , when upon departing from the woods, he declares, "What I am leaving is something to look forward to." We see not only that he will return but perhaps he will take some of the wilderness with him, like dipping into the Absolute and allowing it to infiltrate daily life.

Ben Mould's blog entry:

Seeing

Annie Dillard seems to be a remarkable character who must have been a lot of fun to be around. She starts her essay in a remarkably personal manner. He speaks at length about how she would hide pennies for people to find and all the joy that brought her. She seems to be foreshadowing her favorite characteristic of nature which is that of a system so vast and complex that crevasse of hidden treasures abound endlessly. She also the speaks at length about the solar system and the cosmos and how unimaginably huge everything is and how incredibly fast everything is moving. This this was she seems to balance her essay and alludes to the old Vedic expression “That which is smaller than the smallest is bigger than the biggest”. She continues her essay by shifting gears seemingly abruptly to speak about the revolution in the treatment of caterax and the associating psychological ramifications that ensued on the part of the patients. She seems to take such a left turn about her paper and tangents from the other two essayists and no longer seeks to describe nature of mans place in it or how nature makes on feel and seems to say that it is our personal intake of what we witness and what we are capable of handling that is the true determination of our happiness in the moment. She departs from the viewpoint that nature is the cure all to mans unbalanced nature and describes a scenario in which man must rise up to his circumstances despite any condition that he may come across in civilization or in the wild.


My blog on Ben's blog:
I too enjoyed Dillard's more fanciful tone, although this essay was my least favorite of the three. I found so many things in all three essays that reminded me of STC themes so I enjoyed being reminded of her ruminations on the Universe and its similarities to Vedic principles. I also found the psychological adjustments of seeing again very interesting and quite revealing like the girl who kept her eyes shut for two weeks after the new light flooded her new found sense of sight. Maybe it is her feminine nature that sets her apart from the other two in her more balanced approach to man's relationship with nature. Or maybe that is too sexist a statement.

Friday, September 4, 2009

Elyse's journal entry for Sat., Sept.5th, 2009-Introduction summary and Main Points

Summary

I must admit, I found the introduction quite interesting but dense. It took me a good chunk of time to get through. What Lopate set out to do was not only tell us the main points of an effective personal essay but also distinguish it from other types of essays such as the formal essay and the familiar essay, which the author cites as almost indistinguishable from the personal essay. He uses many quotations from some his favorite essayists to describe the various aspects of the personal essay, using Montaigne as a main focal point.
Not surprisingly, the "I" of this particular genre is its foundation. The honesty and personal integrity involved brings us as the reader into the essayist's life and experience. Every author has their own particular style of writing and the personal essay really allows that style to reveal itself. Lopate notes that humor and irony often play a large role in this form of essay and that personal essayists often choose subjects that "go against the grain of popular opinion."
He explains why he laid out the book in the manner that he did. Beginning with essays from the Greco-Roman world, moving through an entire section focused on Montaigne, onto the English essay and concluding with essays from other cultures, Lopate offers reasons for omition of some other noteworthy pieces, such as his resistance to using excerpts from some lengthier essays and the fact that some cultures simply do not generally use the personal essay as a form of literature. The African essayist, for example, tends to have a preference for the public over the personal voice".
Lopate does a tremendous job in his Introduction in sharing his vast knowledge of this form of essay. Like Jim said in class, the Introduction alone is worth the price of the book. His in-depth analysis of not only what does but does make an essay personal is well-researched and presented. This entire section, to be a textbook in itself.


Five Main Points


The conversational element, the first main point, is one of the cornerstones of the personal essay. Dialogue between characters is helpful in establishing the author's relationship with characters he encounters. Another point would be integrity. If the raw honesty of the essayist does not come across, then the essay will most definitely fall flat to the reader. A third main point would be humor. This could come across as outright laugh-out-loud descriptions of people or events or simple observations dripping with irony. One point I particularly enjoyed as part of the introduction was the point of idleness as a facet of the personal essay. Most essayists use everyday, somewhat common experiences to fill their page. Using the past to tell a story would be a final point component of the personal essay, having experiences from our past to reflect upon is the whole point after all.